Opera Atelier's production of Iphigénie en Tauride
Photo: Bruce Zinger / Artists: Soprano Peggy Kriha Dye (centre) as Iphigénie with Artists of Atelier Ballet
Photo: Bruce Zinger / Artists: Soprano Peggy Kriha Dye (centre) as Iphigénie with Artists of Atelier Ballet
As usual, the latest production by Opera Atelier is satisfying.
Narratively, it fulfills Ruby Mercer's descriptors for opera: love, sex and violence put to good music! Sensorily, it addresses all the senses, right down to the rustle of fabric, some rows back; visually, it is texturally full. If you aren't familiar with baroque opera and baroque arts in general, it is extremely stylized and carefully crafted. I felt Iphigenie en Tauride attained this most successfully in the fourth act. As usual, the cast is superb, including the Atelier Ballet, accompanied by Tafelmusik's Orchestra and Chamber Choir. The set was beautiful, albeit a bit anachronistic with the altar triptych, since the latter was a medieval church invention, at best based on the Roman writing tablets....but perhaps that's me just being too anal.
Opera Atelier is the creator of an art form that is not to be missed. Presentations are still be available on November 3, 4, 6 and 7. For ticket information, please go to http://www.operaatelier.com/season/iphigenie.htm.
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