Beautiful Feet

Photo: canadianstage.com It's obvious why this generation is experiencing so much anxiety and depression. This is an excellent commentary on identity and social media at Canadian Stage in English or French (see website for details). A CO-PRODUCTION WITH THÉÂTRE FRANÇAIS DE TORONTO. FEB 14 - MAR 5  (ENGLISH)  MAR 21-25  (FRENCH). CAST Laurence Dauphinais Steffi DiDomenicantonio Tara Nicodemo Nico Racicot Alex Weiner  PLAYWRIGHT Guillaume Corbeil TRANSLATOR Steven McCarthy DIRECTOR Claude Poissant LIGHTING DESIGN Martin Labrecque MUSIC Nicolas Basque SET DESIGN Max-Otto Fauteux PHOTOGRAPHER Janicke Morissette WARDROBE Philippe Massé STAGE MANAGER Natalie Gisèle ASSISTANT STAGE MANAGER Jocelyn McDowell PRODUCTION PICTURES Jean–François Brière CREATION & SURTITLES OPERATION Melanie Hall

Photo credit: THOMAS GRUBE AND SONY CLASSICAL as posted in Toronto Star Okay, I might have been a  little  ticked that my request for an interview with Cameron Carpenter did not even garner a form reply (I've had authors, opera singers—hell, everybody I asked—all jump at the chance for more coverage) but I didn't think I was in competition with Shad, forgodssake, and Carpenter certainly  ran circles around the host , whether the host knew it or no. And I was clear in my approach about not adhering to orthodoxy and actually being more interested in the arts and obviously (for anyone who takes even a cursory look at my blog and other social media can tell) being pro-LGBTQ. Ah well: biographical and interview gleanings from previous online sources will have to suffice as background to the review of his organ concert at Koerner Hall in Toronto on Friday night.  [Let me add that this review reminds me why I started this blog, lo, almost a decade ago. When I read...