Beautiful Feet

Oh my lord, Maggie Smith is wonderful. In The Lady in the Van (dir. Nicholas Hytner, 2015), she plays Miss Mary (Margaret? mentally insert winky emoticon here) Shepherd with pathos and wit in this 'mostly true' tale, set in 1970s London. There is lots of subtext about certain classes of people being outside of the law—gays, the homeless—and those ostensibly living within social constraints—nuns, neighbours, classical musicians—but the film turns a lot of these assumptions on their heads. Alex Jennings plays the film-contained writer, Alan Bennett, with restrained wryness, although I found Jim Broadbent uncharacteristically underwhelming. Lest I provide spoilers, I will speak vaguely. The story contains  theological themes of absolution and ablution, and the van becomes her sepulchre, both as a living coffin for her sins and a literal one later, after she has experienced those sacraments. While the end would probably be difficult to create any less cheesily, there is enough g...

Mark Alpert’s The Orion Plan took me back to a large astronomy poster I had as a girl; I’d get lost in looking at its details for hours. This Wine and Cheese Award -winner gets my grudging Ebertian thumbs-up: I whinge because the reading went by too quickly, so gripping was the storyline. Unlike The Six , which was a YA-oriented novel (see my review ), this is an adult sci-fi thriller. (Although really, either book is equally readable by any age group, thanks to the lack of gratuitous sex in Orion .) But like The Six , there is non-saccharine treatment of characters with flaws or University-of-Life knocks; Alpert comments unapologetically about the notion of punishment and the breakdown of Western correctional systems, and he illustrates compassionately the issues around homelessness, grief, addiction, the call to ministry, ecological disasters and colonialism. But he is not preachy. As Terry O’Reilly said in a recent radio show , “Story matters” and this novel centrifugal-...